I’ve set up this blog because I want to start a debate about gender bias in picture books.

I believe that the scarcity of male gatekeepers in the picture book industry means that its output reflects boys’ tastes less than girls’ and that this lack of gender-balance is exacerbating the gender gap in children's reading abilities.

My argument, based on my experience as both an author and a parent, is set out in the three essays below.

scroll down further for blog posts


cool not cute: what boys really want from picture books

This two-part essay contains my main argument.

Part 1: The Uneven Playing Field argues that the lack of gender-balance among publishers, teachers, librarians and picture-book-buyers is making picture books more appealing to girls than boys.

Part 2: The Missing Ingredients lists some of the ingredients with boy-typical appeal that are missing from most picture books and suggests ways to gender-balance picture book appeal.

Click here to view/download a pdf of COOL not CUTE Click here to view/download an EXECUTIVE SUMMARY of the essay


nature and nurture: boys will be boys

This essay looks at some of the scientific evidence that suggests that BOTH nature and nurture are responsible for sex differences in children's preferences.

Click here to view/download a pdf of NATURE and NURTURE


fighters and fashionistas: the spectre of stereotyping

This essay addresses concerns about gender stereotyping which may arise from the assertion that some preferences are boy or girl-typical.

Click here to view/download a pdf of FIGHTERS and FASHIONISTAS


These three essays were revised and updated in February 2015. You can read a blog post outlining the revisions and the reasons for them here.

Tuesday, 30 September 2014

Some words of support

I was heartened by Jon Scieszka's comments
on the Playing by the book blog.
It’s been a couple of months since I last posted on this blog. In my last post I wrote that I was “arguing for gender-balance and against gender domination by either sex.” With this in mind, I’m planning a future post about the pro-male bias in picture book protagonists which, as I’ve previously acknowledged, is an issue that needs addressing as much as the pro-female bias in other aspects of picture book content.

In the meantime, having focused on the critical responses to my call for gender balance in my last two posts, I wanted to highlight a few of the more supportive responses.

I’ve commented before that many people within the world of children’s literature are reluctant to speak publicly about a possible pro-female gender bias in picture book content. Some of the vitriolic responses my arguments have provoked in the last few months make this all the more understandable. In the week after The Times article was published, I received the following comment in an email from a picture book editor:
"This is such an interesting debate. I think you have raised so many good points, which makes it frustrating that so many people – the media, authors on twitter – seem to jump to such extreme or polarised positions on the matter. It would be great to be able to have a sensible, more nuanced discussion about it all without people ‘shouting’ so much! The points you have raised really deserve to be discussed properly."
And, as I mentioned in my last post, another of my editors, Liza Miller, voiced her support publicly on her blog, for which I’m extremely grateful.

The blog post that provoked the media interest focussed on the lack of gender-balance in children's book reviewing, so I was also grateful to Spectator reviewer Melanie McDonagh for beginning her summer round-up with some words of support. And – although he didn't take sides  – I’d also like to thank publishing journalist Porter Anderson for taking the time to understand my argument and outline it accurately and objectively in this article for Publishing Perspectives.

US novelist Elizabeth Spann Craig (who writes for adults) wrote a blog post acknowledging that my observations about gender bias in picture book content reflected her own experience of trying to find books that appealed to her son, commenting that it was "much, much easier" finding books that her daughter enjoyed. However, apart from a few comments on Twitter, the children’s authors and illustrators that expressed their support for my arguments have, until now, done so privately.

So I was heartened to read the comments of US author Jon Scieszka on Zoe Toft’s Playing by the book blog yesterday. As well as writing numerous children's books, Jon is a former National Ambassador for Young People’s Literature (the US equivalent to the UK’s Children’s Laureate) and the founder of the Guys Read literacy programme. Zoe asked Jon several questions relating to boys' literacy, including this one about the arguments I've made on this blog:
Zoe: Recently there was a lot of debate and even anger here in the UK about the gendered marketing of books, a debate sparked by the author Jonathan Emmett, who argues that the UK “picture book industry reflects girls’ tastes more than it does boys’ and that this bias is exacerbating the gender gap between boys’ and girls’ reading abilities.”

To what extent do you think the same could be said for the US market?
Jon Scieszka: I think Jonathan Emmett made a very thoughtful, considered, statistical, and careful presentation about the realities of children’s publishing. The statistics and challenges he mentions for the UK are very much the same in the US. Here elementary school teachers, librarians, children’s booksellers, and children’s book prize committee members are mostly women. It is not unreasonable to wonder if this gender inequality might influence what is produced and bought and awarded in children’s books.
And I think the anger this question provokes is more about gender inequality in the wider world at large than just about kids’ books.
It’s well worth reading the full interview over on Zoe’s blog.


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